Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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REMBRANDT Harmenszoon van Rijn
The Raising of Lazarus The Large Plate
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REMBRANDT Harmenszoon van Rijn The Raising of Lazarus The Large Plate


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REMBRANDT Harmenszoon van Rijn

Born 1606, Died 1669.One of the great Dutch painters and printmakers of the 17th century, Rembrandt van Rijn is best known for his expressive use of light and shadow (also called chiaroscuro) in his many portraits. Raised in Leiden, he studied with Pieter Lastman (1583-1633) in Amsterdam, then returned to Leiden around 1625 and set up shop as a teacher and portrait artist. Sometime between 1630 and 1632 Rembrandt relocated to Amsterdam, where he spent the rest of his career. Though he had his detractors (some of whom considered him coarse and "low born"), Rembrandt was successful and famous during his lifetime, though he fell on financial hard times in his later years. He was a master printer and produced hundreds of group portraits and historical paintings, including The Anatomy Lesson of Dr. Tulp (1632), The Military Company of Captain Frans Banning Cocq (1642) and Aristotle with a Bust of Homer (1653). His portraits -- including a lifelong trail of intriguing and rather frank self-portraits -- reveal his interest in psychological study and continue to be admired as landmarks in Western art. The Military Company of Captain Frans Banning Cocq is also known as "The Night Watch" because it was thought the painting depicted a nighttime scene. When the painting was cleaned in the 1940s it became obvious that it depicted a daytime scene... He married Saskia van Ulenburgh (also Uylenburgh) in 1634.   Related Paintings of REMBRANDT Harmenszoon van Rijn :. | Tthe Syndics of the Amsterdam | The Return of the Prodigal son | The Angel Stopping Abraham from Sacrificing Isaac to God | The Overturned Bouquet | The Abduction of Proserpine |
Related Artists:
Jean Hey
Flemish Northern Renaissance Painter, active 1480-1500 Until the late 20th century, the name of the painter of the Moulins Triptych was unknown, although art historians identified a number of other works that were evidently by the same hand. The first monograph on the Master of Moulins, written in 1961 by Madeleine Huillet d'Istria, argued that this artist did not actually exist, and that more than 12 different artists were responsible for the corpus of works traditionally ascribed to him. The Master's identity was established after an inscription was found on the reverse of a damaged painting, Christ with Crown of Thorns (1494) in the Royal Museums of Fine Arts of Belgium, Brussels, identifying the artist as Jean Hey, teutonicus and pictor egregius ("the famous painter"), and identifying the patron as Jean Cueillette, who was secretary to the King and an associate of the Bourbon family.Stylistic similarities link this painting to the works attributed to the Master of Moulins. The Master of Moulins appears to have been the court painter for the Bourbons, and from a surviving account for 1502-03, it is clear that the court painter's name was Jean; other candidates once considered plausible, such as Jean Perreal and Jean Prevost, have proven untenable in the light of subsequent research. The term "Teutonicus", or "German" included Flemings at this date.
Antoine Vestier
(1740 - 1824) was a French miniaturist and painter of portraits, born at Avallon in Burgundy, who trained in the atelier of Jean-Baptiste Pierre. He showed his work at the Salon de la Correspondance, Paris, before being admitted to the Academie Royale de Peinture et de Sculpture in 1785, when a portrait of the painter Gabriel-François Doyen, pwas his morceau de reception. Among his sitters was the royal beniste, Jean-Henri Riesener (1786, Musee de Versailles).
Jacob de Wit
(19 December 1695 - 12 November 1754) was a Dutch artist and interior decorator who painted many religious scenes. De Wit was born in Amsterdam, and became famous for his door and ceiling paintings. He lived on the Keizersgracht in Amsterdam, and many of the buildings on the Keizersgracht still have door or ceiling paintings done by him. Since many of the families who lived in Amsterdam in those days had country villas, de Wit also painted in houses in the fashionable areas of Haarlem and the Vecht river. According to the RKD he was the pupil of Albert Spiers in Amsterdam and Jacob van Hal in Antwerp where he became a member of the Guild of St. Luke in 1714. His pupils were Jan de Groot (painter from The Hague), Dionys van Nijmegen, Jan Punt, Pieter Tanje, and the brothers Frans and Jacob Xavery. De Wit died in Amsterdam in 1754.Tako Hajo Jelgersma was his follower.






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